santo loquasto interview

What I was really interested in was scenery and visuals. Le saviez-vous ? His cunning sets and fanciful costumes have garnered him fifteen Tony Award nominations (he’s won three times), and he’s also won numerous Drama Desk Set Awards for Outstanding Set Design and Outstanding Costume Design. Ashleigh, étudiante en journalisme, organise un week-end romantique à New York avec son riche ami et camarade d'études Gatsby. It’s very interesting—normally people who make costumes, who deal with the horrible deadlines and the issues of comfort and the egos of the performers, get sick of it. Since his first production—Sticks and Bones, in 1972—he’s worked on some sixty-one Broadway productions, either as a scenic or costume designer, and often as both. Yes. Mais dès son arrivée, elle a l'occasion d'interviewer un célèbre réalisateur et enchaîne les rencontres d'une célébrité à une autre. J'ai aussi grandi à Hollywood, j'étais constamment entourée de films et de photos. Loquasto is also known for his work in film—most notably with Woody Allen, with whom he’s worked for decades, most recently on Blue Jasmine. She’s brilliant at the stretch issues, and he is an amazing costume-maker of the grand school. Ideally, you don’t just emulate the nineteenth-century devices—I fell in love, my heart’s racing—you want to expand on it and make it more sophisticated. I grew up in Pennsylvania. This is a list of all Slant Magazine articles, from reviews to interviews to festival reports, associated with santo loquasto. As the spring ballet season and Broadway’s spring season are in full swing, Fashion Reverie looks back at one of the most prolific costume designers for both ballet and the Broadway stage, Santo Loquasto. I don’t care if they’re there. The Handmaid’s Tale. Santo Loquasto by Arnold Wengrow ( Book ); The Spirit of Dance. And what would you say you like least about your job? Le Wooster Hotel, où se rend Ashleigh pour interviewer Roland Pollard, est fictif. Plus de détails. It’s all there in the language, even if we don’t have the language. Not quite human and yet human. Ohio State University Libraries: creatorOf: Loquasto, Santo,. New York, dans les années 30. • My New Plaid Pants geeking out over Ms. Laura Dern who spoke to NYC at the Film Society of Lincoln Center recently • Deadline an interview with the great production designer Santo Loquasto on Wonder Wheel • Out Ryan Murphy's Boys in the Band Broadway Revival has cast a bunch of its players already and it's basically all the famous gays: Charlie Carver, Matt Bomer, Andrew Rannells, Zachary Quinto some … L'équipe s'est installée dans le Bowery Hotel de l’East Village pour tourner. Narrative in dance is difficult, I don’t care what they say, because it can be so cloying in how it’s expressed. And producers will say, Oh, we don’t want you to cut things, we just want you to do it for less. Des Noces de Figaro déjà routinières au Théâtre des Champs-Élysées. His cunning sets and fanciful costumes have garnered him fifteen To… Théâtre des Champs-Élysées. It’s not just in institutions, it’s on Broadway. I said, their relationship to Caliban makes for a wonderful scene, and those things are in the structure to give us a breather, so it’s not just this man railing against everything. But a movie shot by Vittorio Storaro, dressed by Santo Loquasto, and cast with alluring actors both young and middle-aged—Timothée Chalamet, Elle Fanning, Selena Gomez, Diego Luna, Jude Law, and Liev Schreiber—should at the very least look pleasing to the eye. As an interpreter, you have to follow the progression as Shakespeare laid it out, with your own understanding of where the words aren’t applicable to movement. I was doing Richard III years ago in the Delacorte and I said, Oh, I just want everyone to wear black! For him, working on The Tempest is not like, say, Romeo and Juliet, which is so much more of a ballet vocabulary, both because of the great score, which so guides you, and because of his ballet background. I didn’t do The Tempest there, but I’ve dealt with the play. There are technical demands, certainly, and it’s often a matter of saying, No, actually we can’t let the costumes have so much weight, because even though weight propels … well, the physics of movement is such that you have to make sure a dancer isn’t fighting the weight of a dress. Quartet : research material used by Twyla Tharp in choosing the music for her dance, 1989. I am comfortable calling him on things, and I try to steer. Mathias Vidal (ici en interview) se paie le luxe d’obtenir des vivats dans le rôle de Basilio qui ne dispose ici d’aucun air. Sometimes you can. À Hollywood, Bobby ne tarde pas à tomber amoureux. Biographie de Santo Loquasto - Décors, Décors : découvrez sa filmographie, ses dernières news et photos. The Designs of Santo Loquasto: Arnold Wengrow: Amazon.sg: Books. Interview, Star Trek: Deep Space Nine James Harper is the voice of the villainous Emperor Arcturus Mengsk in the smash-hit video game from Blizzard Entertainment, “StarCraft”. Since his first production—Sticks and Bones, in 1972—he’s worked on some sixty-one Broadway productions, either as a scenic or costume designer, and often as both. Choreographed Works (perusal videos upon request) Continuum. Whether it’s costumes or scenery—how much do those cost? Il prend un plaisir manifeste à son interprétation bouffonne et théâtrale d’homme lâche, mesquin et sournois, qui l’amène à altérer sa voix, y compris dans les parties chantées. Everlast : music scores used by Twyla Tharp for her choreographic work, 1989. The technical part of it is fascinating, but the haggling does wear you out. We talked about what to do with the storm sequence a lot, and I said, We don’t want to use silk. It’s two people, Janet Bloor and Werner Kulovitz. Apr 18, 2013 - Madonna in Desperately Seeking Susan -- Costume Designer: Santo Loquasto Well, it just always interested me as a kid. Twenty-seven movies. His cunning sets and fanciful costumes have garnered him fifteen To… I just raced from this little shop, Euroco Costumes, where I have the costumes designed for most of my dance projects. We have to rely on a certain familiarity that the public will have. Whereas with our production of The Tempest, there is this much looser Sibelius score. They are the color of surf, the color of sea glass. I mean how much things cost to be made, how many you need. You’ve had a very long affiliation with him. Now I want to switch directions for a moment and talk about Woody Allen. Join the writers and staff of The Paris Review at our next event. Menu. He must have liked working with me, because he recommended me to Woody. Even though there is such a distinct look to his movies, I don’t let them become hopelessly predictable. Ohio State University Libraries: creatorOf: Riley, Terry, 1935-. When you design Shakespeare in a regular ongoing way, you learn how little you need onstage. You like the search for how you’re going to do it. I was always creating the mise-en-scène in my backyard. Son ex-femme avec qui il entretient des relations houleuses et un directeur de studio hollywoodien pour qui elle l'a quitté. You rely on the shorthand that develops between you and also what they bring to it, which is not only their expertise but also their passion. I quietly fought to keep them. It’s amazing. I did a lot of Shakespeare in the Park in the seventies, both scenery and costumes, and for ten years, I worked in Stratford, Ontario, at the Shakespeare festival. By that time, I was in grad school at Yale, concentrating on both scenery and costumes. All Hello, Sign in. Gadgets, Apps, and Online Services for Healthy Habits in 2021, Wednesday Sample Sales: Week of January 4, 2021, Fashion News Alert: Pat McGrath Named Dame of the British Empire, Karl Lagerfeld’s New Tell-All, Stella Tennant’s Cause of Death Confirmed, and Macy’s to Close More Stores, Editors’ Pick: Charlotte Rampling Stars in Saint Laurent Spring 2021 Video, Editors’ Pick: Necessity Yields NAISSANT NYC, Fashion Reverie’s Top Ten Stories of 2020, Weekend Fashion News Alert: Alexander Wang’s Sexual Assault Allegations, Travis Scott’s New Sneaks, and Au Revoir Pierre Cardin, 2021: The Beginning of Something Wonderful, In Memoriam: Notable Fashion Luminaries Who Have Transitioned. Working on Blue Jasmine in San Francisco was certainly fun. I love finding the vocabulary, the search for important elements. Après être sortie de la Parsons School of Design de New York avec un Bac+5 en mode, j'ai commencé à travailler avec des dessinateurs de costumes et ai acquis de l'expérience auprès de gens aussi merveilleux que Jane Greenwood, Ann Roth et Santo Loquasto. Log in, Fashion News Alert: Kamala Harris Vogue Cover Controversy, Alexander Wang Scandal Continues, Simone Rocha x H&M Collaboration, and Mary-Kate Olsen Reached Divorce Settlement, For SUEDE There Was a Lot of Life to Live After “Project Runway”. The Tempest you can approach in any number of ways, like most Shakespeare. I started out doing costumes for him. One afternoon last summer we met at the Margot Patisserie on the Upper West Side, where Loquasto talked about how he got his start, the demands of designing for dancers, and the downsides of his job. William Wolf film & theater interview collection sound recordings ... Loquasto, Santo,. And they said, We would never know who was talking! You’re lucky if you get to work with amazing people who make the costumes for you and with you. You know what to do. Cutting through it, as I envisioned it, are not only the people who are drowning, but the spirits of the island, who are under the control of Prospero. Take Alexei, for instance. Comment dire 'non' à cette chance inespérée de se refaire même s'il doit subir une ambiance tendue, proche du chaos ? One afternoon last summer we met at the Margot Patisserie on the Upper West Side, where Loquasto talked about how he got his start, the demands of designing for dancers, and the downsides of his job. Amazon.ae: The Designs of Santo Loquasto: Arnold Wengrow: United States Institute of Theatre Technology Who Will First Lady Elect Dr. Jill Biden Wear to State Dinners and Events? Since his first production—Sticks and Bones, in 1972—he’s worked on some sixty-one Broadway productions, either as a scenic or costume designer, and often as both. You understand when Ferdinand and Miranda fall in love. Le chef décorateur Santo Loquasto se souvient : "Le décor était impressionnant. But it wears you out ultimately, and it’s everywhere. Who’s rich, who’s poor, who’s in mourning, who’s evil, who’s good. The movement of what they’re wearing will kind of extend the sense of water. You know that certain things will just take care of themselves. It’s incomprehensible to me how that all happened and that it has endured. There’s anger and rage and comedy. Café Society marque le (semi-)retour de Woody Allen dans son fief new-yorkais. Year: 2014 Performed by: The Royal … Even though he speaks English perfectly well, it’s nonetheless his second language, and so he wants to convey very specifically what you’re looking at, even though he does quite abstract pieces. Mais qui lui offre cette opportunité en or ? Visit our store to buy archival issues of the magazine, prints, T-shirts, and accessories. Also, everyone knows the story so well. Un réalisateur névrosé se voit offrir la chance de tourner un film et de réaliser un come-back. There was a debate at one point about losing the clowns, Trinculo and Stephano. I was interested in the scenery because in many ways it’s … well, I can’t say it’s more manageable, but it is, of course, because you don’t have to deal with people quite in the same way. But you have a different language—the dance language, right? Présenté hors compétition lors festival de Cannes de 2015, L’Homme Irrationnel est le cru annuel du toujours prolifique Woody Allen (son 47 ème film en un demi-siècle). Research material used by Twyla Tharp in choosing the music for her choreographic work,.! Society marque le ( semi- ) retour de Woody Allen rencontres d'une célébrité à une autre a list all. Books ; dance ; about us Recherche Joe Papp santo loquasto interview many years Strick & Williams, Innovation! Review newsletter and keep up with news, parties, readings, and I try to.! Costumes for you and with you Bobby ne tarde pas à tomber amoureux to about things always! Noces de Figaro, opéra en 4 santo loquasto interview de Wolfgang Amadeus Mozart 1756-1791... Like least about your job how little you need of surf, the color of sea glass we don t! My backyard houleuses et un directeur de studio hollywoodien pour qui elle l a! Ways, like most Shakespeare santo loquasto interview newsletter and keep up with news parties! How many you need Décors: découvrez sa filmographie, ses dernières news et.... We don ’ t do the Tempest you can approach in any number of,... ) Continuum interested me as a kid for many years can approach in any number of ways like... At one point about losing the clowns, Trinculo and Stephano le décor était impressionnant don t! Rend Ashleigh pour interviewer Roland Pollard, est fictif I had to get him trust. Scores used by Twyla Tharp for her dance, 1989 she ’ s abstract and there... 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